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Building your suit wardrobe

Here is a little article I wrote about suits for Riddle Magazine:

In the past, a professional man, wore a suit and tie to work, every day of the working week, Monday to Friday. Full stop. No buts or maybes. Causal Friday had not been invented, nor the had the decay in moral standards set in. Men found it rather easy to get dressed: suit (jackets and trousers matched), plain shirt, tie, black shoes and socks, and maybe some underwear. Job done.

Ideally one would require five suits, one for each day of the working week, and if one had the means and lived in a place that actually had seasons, then five again for the warmer or colder season. Each suit would be worn 25 to 50 times per year, and if one had ten suits, one can see how the life expectancy of the wardrobe doubled.

What if one only wears a suit occasionally? Is there a Swiss Army knife suit equivalent that does everything? Like a Swiss Army knife, there is a suit that could do most things, but none of them as well as the dedicated tool for the task in hand. Depending on who one asks, it is either a charcoal or dark navy suit, or sometimes a black suit according to our friends across the pond.

Their preference for black is because it can double as a tuxedo or a funeral suit. What about weddings I hear you ask? Well, dinner suits are considered acceptable attire for weddings over there. The only time I have seen men wear suits in the evening outside of New York, they were either going to propose or were working for the mob. Either way, making proposals – one of which should definitely not be refused.

Over here our preference is for navy or charcoal as the perception is that black is sometimes seen as a sort of uniform for hospitality staff and security. A smart dark suit will be appropriate for a job interview, wedding, funeral, smart meeting and evening event, and at a pinch as an emergency dinner jacket with a black bow tie.

Ideally the suit should be as plain as possible, without an overly distinctive weave or check. The plainer, the more versatile. A discrete sharkskin, herringbone, or twill will also suffice.

If one views this suit and a white shirt as the framework, then a black necktie covers funerals, a silver or gold tie weddings, a baby blue or pink tie christenings, and a patterned tie meetings. This covers most occasions for the sartorially challenged.

If one wants to have more than the one multi tool suit in the closet, then the next choice should be the other colour, so one would have a navy and a charcoal suit. Many times, there is a tendency to get something bold and distinctive; to make a statement. That is usually as well thought through as having a dozen Jägerbombs. A distinctive suit will draw attention and the first time wearing it, one may be complemented. The second time, if it is the same audience, it may elicit the comment: “haven’t you worn that suit before” to the third time, “are you still wearing that same old thing?”

After the first two suits, variations on grey and navy would be appropriate, with possibly a stripe or check thrown in. Brown suiting is harder to come by, as there isn’t that much demand for it and should be best avoided unless one works in a more casual environment or has a lot of suits already.

Regarding dinner suits, please see a previous article. Tweed or linen suits were an essential part of a gentleman’s wardrobe in the past. Due to a more casual style of dress prevailing, one sadly sees them infrequently, and one might be well served to do the cost benefit analysis and calculate how often one will actually wear them.

A nice tweed ensemble worn during a working day might bring the comment if one was going to one’s country estate. In the past, that was probably the case. Sadly, not everyone’s parents have left them with a draughty pile in the country and wearing a suit on the weekend is seen as frequently as the Loch Ness monster is sighted.

The author admits to five tweed suits, three linen suits and three brown suits.

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Building your Shirt Wardrobe

Here is a little article I wrote about bespoke shirts for Riddle Magazine

Things to look for with bespoke shirts:

Fabrics: are they in an unlabelled book, or from an actual fabric mill. How well does the salesman know the fabrics and the mill, so that they can best advise the client based on the client’s preferences? Are the fabrics prewashed, so there are no nasty surprises. Having lots and lots of suppliers doesn’t mean all of the fabrics are good. Like going to a restaurant that does everything: pizza, burgers, sushi, Thai. Nothing will be remarkable.

Collars and cuffs: does one have to pick from a selection of existing designs, can they be modified or a design made from scratch? Picking from existing designs is made to measure, not bespoke. Can the interlining be chosen to give a softer or a stiffer feel.

Buttons and details: choosing from a wide selection of different coloured buttons and embroidery options should be at the bottom of the priority list. They can always be changed at the end. The fit of the shirt cannot. Ideally the buttons should be mother of pearl. They are the real thing and in my opinion look nicer. It is also a good test for a laundry. If the buttons come back damaged, image what they are doing to the rest of the shirt, change your laundry!

Measurements and fitting: taking lots and lots of measurements is no guarantee of a good fitting shirt, nor are multiple fittings. Taking accurate measurements and knowing what to do with those measurements is more important. Looking at the client, and listening to the client is even more important in terms of figuration and fit. What does the client actually want. One man’s slim fit shirt, is another man’s loose fit. Deciphering that, and understanding how the shirt will be worn are essential to creating the product the client will be happy with. Doing all of this remotely for the first time, is like drawing the Mona Lisa when one never has seen a picture of her, and does it purely based on description. Once the pattern for the client has been established, then future orders can be done remotely, as long as the client’s shape has not changed.

Handmade details: the hand stitching if executed skilfully can be beautiful, if done badly, can look like a blind person trying to stab a live chicken. Hand stitching is favoured by some Italian shirt makers, especially in the South of Italy, it is unheard of in London. There is no plentiful supply of cheap labour for hand sowing in London like there is in Naples, where a lot of hand stitching is done by out workers at home in their spare time. Some Neopolitan firms even boast about the drops of blood left by the hand sowers on their shirts. Personally, I dislike hand stitching on shirts as I feel it makes them too precious and I question their longevity. Ignoring that, an English gentleman would never take off his jacket in public, so the actual construction of the shirt would never be on public display, not so with the hot and humid climate of Southern Italy. Either way, no matter how well the shirt is made, by hand or machine, if it doesn’t fit, then the construction is irrelevant. 

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